WP_Query Object ( [query] => Array ( [orderby] => date [order] => ASC [post_type] => films [posts_per_page] => 5 [post_status] => publish [tax_query] => Array ( [0] => Array ( [taxonomy] => categories [field] => slug [terms] => acquired ) ) ) [query_vars] => Array ( [orderby] => date [order] => ASC [post_type] => films [posts_per_page] => 5 [post_status] => publish [tax_query] => Array ( [0] => Array ( [taxonomy] => categories [field] => slug [terms] => acquired ) ) [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [taxonomy] => categories [term] => acquired ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => categories [terms] => Array ( [0] => acquired ) [field] => slug [operator] => IN [include_children] => 1 ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => raj_term_relationships ) [queried_terms] => Array ( [categories] => Array ( [terms] => Array ( [0] => acquired ) [field] => slug ) ) [primary_table] => raj_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [request] => SELECT SQL_CALC_FOUND_ROWS raj_posts.ID FROM raj_posts LEFT JOIN raj_term_relationships ON (raj_posts.ID = raj_term_relationships.object_id) WHERE 1=1 AND ( raj_term_relationships.term_taxonomy_id IN (5) ) AND raj_posts.post_type = 'films' AND ((raj_posts.post_status = 'publish')) GROUP BY raj_posts.ID ORDER BY raj_posts.post_date ASC LIMIT 0, 5 [posts] => Array ( [0] => WP_Post Object ( [ID] => 200 [post_author] => 1 [post_date] => 2021-10-09 11:38:12 [post_date_gmt] => 2021-10-09 11:38:12 [post_content] => Ameet (Vinod Mehra) is a multi-millionaire; Managing Director of several business firms.Nekiram (Mehmood) is childhood friend, also the General Manager of those firms. Ameet has implicit faith in Nekiram because of their childhood friendship. But temperamentally the two are poles apart; Ameet is extremely benevolent always giving charities, Neki resents those charities. He has a very practical and mercenary outlook towards life. Ameet also owes fruit orchards at a hill station and a big bungalow where his mother and sister reside permanently.Mother fixes up Ameet's marriage with Sunita (Moushumi Chatterjee), daughter of the owner of a canning factory named Dhanraj. While Ameet is away at the hill station, Neki using the power of Attorney which Ameet has given him usurps all of Ameet's business and wealth. At the hill-station, Ameet gets a bolt from the blue, he suddenly finds himself a pauper. Dhanraj's attitude changes, he calls off Ameet & Sunita’s engagement. Calamities pile up. Ameet has to sell his bungalow and orchards to meet some outstanding dues which were slyly incurred by Nekiram. Ameet does not know that it is Nekiram who has indirectly bought those orchards and bungalow. Then finally Ameet is driven to a plight where he has to work as a labourer in those orchards. He adjusts himself to that plight because he believes in the dignity of labour.Nekiram also corners Dhanraj's business in such a way that he has to agree to his daughter Sunita's marriage to him. Sunita is miserable because she still loves Ameet and is being forced to marry Neki by her father. Ameet has become very popular with the poor folks who work with him in orchards and fields. When Ameet learnt that Sunita is being forcibly married to Nekiram the childhood friend who betrayed him - Ameet can't take it any more. The climax comes on the wedding day. [post_title] => Sabse Bada Rupaiya (1976) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => sabse-bada-rupaiya-1976 [to_ping] => [pinged] => [post_modified] => 2021-12-18 10:09:57 [post_modified_gmt] => 2021-12-18 10:09:57 [post_content_filtered] => [post_parent] => 0 [guid] => https://rajshri.com/?post_type=films&p=200 [menu_order] => 24 [post_type] => films [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 201 [post_author] => 1 [post_date] => 2021-10-09 11:41:11 [post_date_gmt] => 2021-10-09 11:41:11 [post_content] => Diwan Bahadur Atal Rai (Ashok Kumar) lives a wealthy lifestyle in a mansion 'Gulistan' in Malabar Hills, Bombay, along with his wife, Malti, and two sons, Pavitra (Mehmood) and Charitra (Vinod Mehra). Pavitra was adopted while Charitra is his biological son. They are irresponsible, spoiled, metric-failed, and refuse to do any work. They humiliate their father when he decides to get Charitra married to Shaila (Aruna Irani), the daughter of Advocate Vardhraj, and he asks them to leave. Shortly thereafter Charitra returns home claiming that he had an altercation with his Pavitra, and knifed him to death. Subsequently Police Inspector Madhusudan Apte, gets enough evidence to arrest Charitra. He is let go with a warning after admitting that this was a practical prank. Then Charitra goes on the run after the Mahabaleshwar Police find a dead body and identify it as that of Pavitra. A frantic Atal and Malti attempt to make sense of this homicide, and are eventually relieved when Pavitra is brought home by Shaila and her friend, Poonam Apte. Hilarious chaos will soon prevail when Pavitra claims that his real name is Mani and he lives in Cochin with his widowed mother. Atal is convinced that Pavitra is playing another prank but a number of questions remained unanswered: if Pavitra is alive - what of the dead body? and exactly when and why did Pavitra decide to change his name to Mani? [post_title] => Do Phool (1974) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => do-phool-1974 [to_ping] => [pinged] => [post_modified] => 2021-12-18 10:09:42 [post_modified_gmt] => 2021-12-18 10:09:42 [post_content_filtered] => [post_parent] => 0 [guid] => https://rajshri.com/?post_type=films&p=201 [menu_order] => 23 [post_type] => films [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 202 [post_author] => 1 [post_date] => 2021-10-09 11:46:24 [post_date_gmt] => 2021-10-09 11:46:24 [post_content] => The lives of Atmaram and his wife are turned upside down when they see their daughter, Mala's (Aruna Irani) pictures in a magazine. They arrange for Mala's marriage with the son of Ramlal. Mala is opposed to marrying anyone who she has not met, and is at the same time thrilled that the two persons she trusted, one Sharma, and the other Verma had actually submitted her pictures to a magazine, and were now willing to sign her up for a Bollywood movie. Mala is not able to understand her parents' opposition on her way to fame, and runs away from home with a lot of money and hands this money to Sharma and Verma. Greed overtakes Sharma and Verma, leading to the death of Verma. Mala, who witnessed Sharma kill Verma, now is on the run for her life. She boards a bus from Bombay which bound for Goa. Sharma soon overtakes her, and has one of his armed men on the bus to kill her. And then arrives, Mala's admirer Ravikumar (Amitabh Bachchan), who not only protects Mala, but also accompanies her throughout the journey. Mala starts to trust and subsequently fall in love with Ravikumar. The bus journey is adventurous with the passengers, a totally mixed bunch, from all over India, different religions, cultures, and faiths, all thrown together for this journey. The bus is in the "control" of driver Rajesh, and conductor, Khanna. [post_title] => Bombay to Goa (1972) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bombay-to-goa-1972 [to_ping] => [pinged] => [post_modified] => 2021-12-18 10:09:39 [post_modified_gmt] => 2021-12-18 10:09:39 [post_content_filtered] => [post_parent] => 0 [guid] => https://rajshri.com/?post_type=films&p=202 [menu_order] => 22 [post_type] => films [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 203 [post_author] => 1 [post_date] => 2021-10-09 11:55:54 [post_date_gmt] => 2021-10-09 11:55:54 [post_content] => Lusty womanizer, army Captain Kishore (Jeevan), wants a gypsy dancer for himself and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu (Aruna Irani). Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor (Amitabh Bachchan), and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has its King missing for several years, and the prince - a puppet in the hands of Kishore and his men. Will the two masked men be able to bring Kishore to justice, and end his tyrannical rule over this region? [post_title] => Garam Masala (1972) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => garam-masala-1972 [to_ping] => [pinged] => [post_modified] => 2021-12-18 10:09:25 [post_modified_gmt] => 2021-12-18 10:09:25 [post_content_filtered] => [post_parent] => 0 [guid] => https://rajshri.com/?post_type=films&p=203 [menu_order] => 21 [post_type] => films [post_mime_type] => [comment_count] => 0 [filter] => raw ) [4] => WP_Post Object ( [ID] => 204 [post_author] => 1 [post_date] => 2021-10-11 11:59:32 [post_date_gmt] => 2021-10-11 11:59:32 [post_content] => Hari Bhakt Prahlad is devoted to Bhagwan Vishnu, and nothing will distract him from this devotion. When the kingdom's emperor, Lord HiranyaKashyap, finds out that his subject is engrossed in worshiping someone else, he has him summoned, and asks him to forget Bhagwan Vishnu and instead worship him. Prahlad refuses to do so, and HiranyaKashyap orders that he be admitted in a school and taught to worship him. Prahlad does attend this school, and manages to get everyone there to also worship Bhagwan Vishnu, thus angering HiranyaKashyap even more. HiranyaKashyap then decides to kill Prahlad, his family, and all of Bhagwan Vishnu's worshipers, with Prahlad being selected to be burnt alive. Now only a miracle from Bhagwan Vishnu can save young Prahlad from being burnt alive. This movie also depicts other avatars of Bhagwan Vishnu as Bhagwan Parsuram; then as Bhagwan Ram; and subsequently as Bhagwan Kishan. It is prophesied that Bhagwan Vishnu will appear as Bhagwan Kalki to end the present Kalyug (Dark Age). [post_title] => Hari Darshan (1972) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hari-darshan-1972 [to_ping] => [pinged] => [post_modified] => 2021-12-18 10:07:40 [post_modified_gmt] => 2021-12-18 10:07:40 [post_content_filtered] => [post_parent] => 0 [guid] => https://rajshri.com/?post_type=films&p=204 [menu_order] => 20 [post_type] => films [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 5 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 200 [post_author] => 1 [post_date] => 2021-10-09 11:38:12 [post_date_gmt] => 2021-10-09 11:38:12 [post_content] => Ameet (Vinod Mehra) is a multi-millionaire; Managing Director of several business firms.Nekiram (Mehmood) is childhood friend, also the General Manager of those firms. Ameet has implicit faith in Nekiram because of their childhood friendship. But temperamentally the two are poles apart; Ameet is extremely benevolent always giving charities, Neki resents those charities. He has a very practical and mercenary outlook towards life. Ameet also owes fruit orchards at a hill station and a big bungalow where his mother and sister reside permanently.Mother fixes up Ameet's marriage with Sunita (Moushumi Chatterjee), daughter of the owner of a canning factory named Dhanraj. While Ameet is away at the hill station, Neki using the power of Attorney which Ameet has given him usurps all of Ameet's business and wealth. At the hill-station, Ameet gets a bolt from the blue, he suddenly finds himself a pauper. Dhanraj's attitude changes, he calls off Ameet & Sunita’s engagement. Calamities pile up. Ameet has to sell his bungalow and orchards to meet some outstanding dues which were slyly incurred by Nekiram. Ameet does not know that it is Nekiram who has indirectly bought those orchards and bungalow. Then finally Ameet is driven to a plight where he has to work as a labourer in those orchards. He adjusts himself to that plight because he believes in the dignity of labour.Nekiram also corners Dhanraj's business in such a way that he has to agree to his daughter Sunita's marriage to him. Sunita is miserable because she still loves Ameet and is being forced to marry Neki by her father. Ameet has become very popular with the poor folks who work with him in orchards and fields. When Ameet learnt that Sunita is being forcibly married to Nekiram the childhood friend who betrayed him - Ameet can't take it any more. The climax comes on the wedding day. 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